Icons! I entered two contests recently and we'll see how I do. I'm sure I'll be crushed if no one likes my icons. Because I'm a feedback hor.
Now: Seven are from my HP:PS series. There will be more. I just had to go to bed last night. And the last... well, there's an HP tie too (Jason Isaacs rox my world)
Now: Seven are from my HP:PS series. There will be more. I just had to go to bed last night. And the last... well, there's an HP tie too (Jason Isaacs rox my world)
no subject
Date: 2005-05-31 03:17 pm (UTC)no subject
Date: 2005-05-31 03:31 pm (UTC)most of what I want isn't out there yet.
? You mean in your head? Or in the world? Maybe I'm just a bit stunned from work. Yes, blame it on that.
no subject
Date: 2005-05-31 10:41 pm (UTC)no subject
Date: 2005-05-31 03:33 pm (UTC)Er, maybe you could try outlining the font to get it to stand out. Like I did on the top of this icon.
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Date: 2005-05-31 03:36 pm (UTC)Hmm. May have to join those. Thanks!
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Date: 2005-05-31 03:44 pm (UTC)no subject
Date: 2005-05-31 04:06 pm (UTC)There are a variety of ways you can go about making the text legible over changeable bgs.
Date: 2005-05-31 06:56 pm (UTC)Inner glow only really works if the text is on a dark bg, and you have to keep it small for it to look interesting and not just pale yellow (experiment with px size and opacity). On really large text, it can make it look frosted, a really cool effect (see image) (http://cinnamongrrl.popullus.net/art/title_art_bl.jpg). In this, the original text was the muted greyish-purple of the border-- I used stroke, drop shadow, outer glow (at low opac.) and inner glow to enhance it.
Stroke: ah, stroke. How it saves my ass. Unless you text is fairly large, it won't look good set to "inside" or "center" positions, only on "outside". Try to pick a colour from the image itself, as plain white or black can be too stark and clash if there's no correspondence. It's usually best at 1px in size, though on rare occasions, 2px will work. Experiment with different blending modes, as sometimes multiply or colour burn or overlay will give you a subtler look. Here, (http://cinnamongrrl.popullus.net/art/FaithGlorfindel_yahoo.jpg) I used just a sliver of bright blue to distinguish the black from the bg.
And in that vein: also play around with the opacity, sometimes just 50% or even only 25% will give you want you want to distinguish the text without looking clumsy or heavy-handed. You can switch the modes: try color burn, color dodge, overlay, and difference. All produce interesting effects. I often find myself putting a text layer into overlay and duping it several times to build up the contrast between the text and the bg, then giving it a tiny bit of text effect to enhance the text outline.
When all else fails, don't discount the feasibility of simply duping the layer, switching the colour to white or black, dragging it under the original text layer, and offsetting it over and down 1 or 2 px. That sometimes works better than drop shadow, even if you set DS to 0px size and distance. I did that for this (http://cinnamongrrl.popullus.net/art/dog_logo.jpg).
Hope this helps!
Forgot to add...
Date: 2005-05-31 07:07 pm (UTC)Play around with font size, with tracking and kerning, with bolding and italicizing. Try mixing fonts: I like using Arial for the main text bits, then using Arial Black in small caps for the word(s) that I want to emphasize (see this post's icon for an example).
Those bitmap fonts like Belmongo and Grudblitter can be a godsend, too, but they're HARD to use because they look shitty with effects, and work best without anti-aliasing-- best to create a contrasting strip or square of colour on a new layer, then put the bitmap-font text over that. Like I did here
Granted, that's not bp text (just plain Arial) but you get the idea.
no subject
Date: 2005-05-31 10:45 pm (UTC)no subject
Date: 2005-05-31 11:10 pm (UTC)